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Marcos Franciosi is an Argentine composer, educator, and researcher; Full Member of the National Academy of Fine Arts of Argentina.

His work focuses on sound production, musical form, and the dialectical integration of acoustic and electronic media.

His output encompasses instrumental, vocal, and electroacoustic repertoire, including solo, chamber, symphonic, choral, and stage works. It is articulated through sustained research into techniques for the generation and transformation of sonic material, grounded in the physical exploration of acoustic instruments, analog and digital synthesis processes, and the development of formal scales derived from these interactions.

In the field of electronic music, his work is characterized by hybrid techniques that integrate concrete materials and synthesis processes within a structural and expressive dialogue with acoustic media, aiming at a coherent integration of the overall sonic result.

He studied at the Universidad Nacional de Córdoba and Université Laval (Canada), and received his degree from the Conservatoire de musique et d’art dramatique de Québec. He is Associate Professor and researcher at the Universidad Nacional de Quilmes, where he coordinates the research project Punto de encuentro, and teaches at the Universidad Nacional de Tres de Febrero and at the Advanced Diploma in Contemporary Music at the Conservatorio Superior Manuel de Falla. He has developed an extensive teaching activity as a guest professor, lecturer, and jury member in institutions in Argentina and abroad.

His distinctions include the Konex Award in Classical Music (2009–2019), the National Composition Grant from the Fondo Nacional de las Artes, grants from Fundación Antorchas, and various recognitions from universities and cultural institutions. He has received commissions from institutions such as Teatro Colón, Teatro Argentino de La Plata, Teatro San Martín, Goethe-Institut, Ensemble Modern, and the Conservatoire of Strasbourg, among others. His scores are published by Babel Scores.

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