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William Bolles-Beaven is a New York City-based composer whose work focuses on creating psychological spaces. In particular, he uses rhythmic complexity and repetition to explore confusion, fixation, and "getting lost." Text often influences how these states evolve over time, as does dialectical musical thinking.

Bolles-Beaven’s compositions have been performed domestically and abroad (Italy, Germany, Spain) and have received recognitions like the Nicholas Flagello Award, the Aschaffenburg Prize, and being named a finalist in the ASCAP Morton Gould Composition Awards (2022). He has worked with artists such as Dan Lippel, Joshua Rubin, Friction Quartet, Mivos Quartet, and TAK.

William Bolles-Beaven received his Bachelor of Music from Oberlin Conservatory studying under Elizabeth Ogonek and received his Master of Music from Manhattan School of Music studying under Reiko Fueting. In 2018, he was a fellow of the United States Teaching Assistant Program of the Austrian Ministry of Education, Science and Research (BMBWF), which was administered by Fulbright Austria (Austrian-American Education Commission). As part of the fellowship, he taught English to high school students in Bregenz, Austria.

William Bolles-Beaven currently teaches music theory and ear training at Hunter College while pursuing his Ph.D. in composition at the CUNY Graduate Center where he has studied with Jason Eckardt, Douglas Geers, and Suzanne Farrin.

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