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Simon Bahr writes music and thereby explores interconnections between digitality, genre and nostalgia. He studied composition with Michael Edwards and Dietrich Hahne as well as musicology and philosophy in Essen and Bonn.

Artistically, Simon usually works with a combination of acoustic instruments and electronic sounds, aiming to create hybrid instrumental-digital worlds. Some pieces, e.g. Counterfeits, Cover-Ups & Karaoke (2024), Library Music No. 1: Penguins, etc. (2023), Mixtape (2022) or Remote Control (2022) are characterized by sonic findings from the internet, pop songs or old vinyl records. The album The Voice of Laptop (Narval, 2024) combines algorithmic composition with songwriting and acoustic instruments with a singing computer. Even beyond the album, Laptop plays a major role in Simon's compositional work as co-composer, alter ego and imaginary friend. Thus, using own software when composing allows for a collaboration of human and non-human decision-making.

Simon’s electronic and electronic-instrumental pieces have been performed in Austria, Croatia, Germany, Spain, Switzerland and the USA. In 2022, Simon was awarded the Bernd Alois Zimmermann scholarship by the city of Cologne, where he is currently pursuing a master's degree in composition with Brigitta Muntendorf and Oxana Omelchuk.

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Simon Bahr writes music and thereby explores interconnections between digitality, genre and nostalgia. He studied composition with Michael Edwards, Brigitta Muntendorf and Oxana Omelchuk as well as musicology and philosophy. In 2022, Simon was awarded the Bernd Alois Zimmermann scholarship by the city of Cologne, where he is currently pursuing further graduate studies in composition (Konzertexamen).

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