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Chi-Yen Huang, born in Taiwan, is a composer intrigued by exuberant imagination, sonic nuance, and shifting musical gestures in both acoustic and electronic music. He is drawn to the idea that human experience is rarely linear, unfolding across overlapping temporalities even as we remain bound to clock time. This understanding guides his exploration of how music can resonate spiritually and emotionally with those navigating fragmented or altered experiences of time.

His music has been selected for IRCAM ManiFeste 2026 (France), Luxembourg Rainy Days Festival (Composition Academy) CEME 2023 (Contemporary Encounters Meitar Ensemble, Israel), Banff Centre for Art and Creativity (2025, Canada), mdi New Music Week (Italy), New Music Miami ISCM Festival (USA), Internationale Tanzmesse nrw 2024 (Germany, Düsserdolf), Singapore Saxophone Symposium, New York City Electroacoustic Music Festival (NYCEMF), Seoul International Computer Music Festival (SICMF 2024), International Composition Institute of Thailand 2023 (ICIT, Tacet(i) Ensemble), Taipei International New Music Festival (ISCM, Taiwan), C-Lab (Taiwan Contemporary Culture Lab) Diversonics Festival, among others.

He has also collaborated with renowned ensembles and musicians such as the Neue Vocalsolisten Stuttgart, Meitar Ensemble, mdi Ensemble, United Instruments of Lucilin, the Talea Ensemble, Tacet(i) Ensemble, National Symphony Orchestra (Taiwan Philharmonic), Jun Märkl, Alexandre Souillart, Duo Gelland, and Kyle Hutchins.

In 2019, Huang was awarded a scholarship from DAAD (Deutscher Akademischer Austauschdienst) to participate in the course, Deutsche Literatur und Musik, (German literature and music) at Otto-Friedrich-University Bamberg for one month. In 2022, he was selected as artist-in-residence for C-Lab. In 2023, Huang was then selected as a visiting artist for a communication project with C-Lab and IRCAM.

Chi-Yen graduated with a master’s degree in Composition from the Taipei National University of the Arts (TNUA), where he studied with Mei-Fang Lin. He also received a B. M. in piano performance at TNUA and a M. M. in piano performance at National Taiwan Normal University, where he studied with Chun-Chieh Yen. He has participated in master classes with pianists Roman Zaslavsky, Boris Giltburg, Ning An, Ya-Fei Chuang and composers Annea Lockwood, Uncuk Chin, Thierry De Mey, Marco Stroppa, Philippe Leroux, Dieter Ammann, Lei Liang, Franck Bedrossian, Ed Bennett, Julio Estrada, Scott Wilson, and Emily Koh.

In 2023, Huang was awarded an overseas Ph.D. Program Fellowship from the Taiwan Ministry of Education, and a full five-year Teaching Assistantship from the University at Buffalo to pursue a Ph. D. degree in Composition under the tutelage of Tiffany M. Skidmore, Nina C. Young, and Ming Tsao.

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