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Gunnar Geisse is a musician, improviser, composer, and performer who operates in the field of experimental, improvised, electronic, and New Music. He has developed a complex instrumentation consisting of an electric guitar, electronic sound generation, and digital signal processing, which he calls laptop guitar.

The significance of his approach is discussed and theoretically accompanied in the book Musik und Wirklichkeit (Schott) by the music philosopher Harry Lehmann.

Geisse has worked with almost all of Germany's renowned symphony orchestras as well as international improvisers worldwide, including Eivind Aarset, Richard Barrett, Peter Brötzmann, Marc Ducret, Vinko Globokar, Barry Guy, Joëlle Léandre, George Lewis, Phil Minton, David Moss, Olga Neuwirth, Lauren Newton, Phill Niblock, Evan Parker, William Parker, Giancarlo Schiaffini, Elliott Sharp, Markus Stockhausen, Mike Svoboda, Gary Thomas, and Wu Wei.

His work as a composer-performer is documented on over 40 CDs and in 30 radio plays.

Recent works include the IRCAM presentation of his piece rhythm changes at NY University on the occasion of the IRCAM Forum in New York, the electronic transformations of Bartók and Debussy with the Munich Philharmonic Orchestra, and his solo CD Triptych released by NEOS.

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