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30, Taner Kemirtlek is a Glasgow-based Freelance Artist: His work continues to engage in performances and collaborations that reflect his diverse interests and expertise in music and improvisation.

He often explores themes of love, death, vulnerability, loss, and immortality through a queer spiritual perspective.

His research-practice focuses on free improvisation as a form of de-colonial work, drawing inspiration from noise music and feminist practices to examine spatial power relations and embodied knowledge.

As a Composer, with a BMus Composition degree at the RCS (2017), Kemirtlek has had his works performed and conducted by world-leading professionals that include the Red Note ensemble [Kapadokya, 2019].

Interested in dance forms, for the Takemitsu composition competition, Kemirtlek composed an orchestral work called The Whirling Dervishes of Kenmure Street (2024) that explores Sufi practices in large orchestral form culminating in a 20-minute orchestral dance.

He co-established the collective: Equinox, where we co-released an album [Ascending, 2019] with performances at the Reid concert Hall & Greyfriars in Edinburgh.

Kemirtlek self-published his work Camera Obscura 2020 that is available at the RCS library.

He co-founded: GACO [Glasgow Autonomous Community Orchestra] (2021), working with GOMA.

He is currently working on producing his first ambient album Sinew Circuit that interrogates physical touch and intimacies between bodies via sonic conceptualisations.

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