50:I[73339,["/_next/static/immutable/chunks/3_ttsquv8r_rs.js","/_next/static/immutable/chunks/06t6_3flku9ei.js","/_next/static/immutable/chunks/2ncgwiweb2bsn.js","/_next/static/immutable/chunks/0nz4obk41-nmp.js","/_next/static/immutable/chunks/18wdvnsc3cqir.js","/_next/static/immutable/chunks/3lim41jekjkq8.js","/_next/static/immutable/chunks/0m8_yqutyoiq_.js","/_next/static/immutable/chunks/0hpillni24k-b.js","/_next/static/immutable/chunks/3qx-ga56bveem.js","/_next/static/immutable/chunks/3h9yaexspd0j2.js","/_next/static/immutable/chunks/26cnbz8otwlf_.js","/_next/static/immutable/chunks/2n4n0v3g09x6-.js","/_next/static/immutable/chunks/0dixk8h9t4vvh.js","/_next/static/immutable/chunks/2e-9dxpt7mf4a.js","/_next/static/immutable/chunks/23l7vze3xy194.js","/_next/static/immutable/chunks/1ugixf0jg0cur.js","/_next/static/immutable/chunks/0nv6opwe32h06.js","/_next/static/immutable/chunks/44s-f77mwzmg_.js","/_next/static/immutable/chunks/2esyjoh_e4lri.js","/_next/static/immutable/chunks/1i0qsbd1-f0jb.js","/_next/static/immutable/chunks/0cgtsel_llvlh.js","/_next/static/immutable/chunks/2xui43mlhzo86.js","/_next/static/immutable/chunks/3i5xpmu-sawe_.js","/_next/static/immutable/chunks/311l3yo3n5b6r.js","/_next/static/immutable/chunks/09in1mcrco9-f.js","/_next/static/immutable/chunks/018awkrdaq483.js","/_next/static/immutable/chunks/1-2__yn-x-l71.js","/_next/static/immutable/chunks/2zmin88x_wqmn.js"],"PortfolioAttributionFooter"] 4f:Tb56,

Caio Csizmar (2000) is a Brazilian Composer. Born in Alfenas - Minas Gerais, he discovered a l passion for music early on, starting music classes at the age of 7, soon becoming an autodidact. He graduated in Composition at EMESP Tom Jobim n 2022, and currently studies Composition at Universidade Estadual de Campinas (Unicamp).

His music seeks to articulate conceptual proposals as a propeller for new models and dramaturgical structures, in a direct dialogue with history and with varied repertoires. This music delves deeper into the search for systematization of temporal morphology and rhythm, the use of melodic hyper-densities and their independence, written rubato, polypieces (simultaneous pieces),

alternative modules of organization and functions of subgroups, as well as the exploration of the concept of harmony as territoriality.

As a composer, his music has been selected for participation at a diversity of festivals and programs, such as a very small consortium call for miniatures (2020, US), Festival Escuta Aqui! (2020, Brazil), XXX and XXXI Panorama da

Música Brasileira Atual (2022 and 2024, Brazil), 10th St. Petersburg International New Music Festival “reMusik” (2023, Russia), 41ª Oficina de Música de Curitiba (2024, Brazil), Festival Plurisons (2024, Brazil), Inštitut .abeceda

"precept.concept.percept X." (2024, Slovenia), Post-Sonic Experiment “IMPORTSEXPORTS” (2024, Greece), 36th FOCAM: Festival of Contemporary Artists in Music (2025, US).

In 2023, he was selected for participation at the Atelier de Composição Lírica do Theatro São Pedro, one of the most important composition programs in Latin America that foments the creation of an opera and grants a scholarship to those selected, where his opera Casa Verdi: Meta-Ópera em Ato Único was premiered, with

libretto by João Crepschi and stage direction by Ines Bushatsky.

He has worked with groups such as the Moscow Contemporary Music Ensemble (MCME), ORTHESP, Ensemble Móbile and Vertixe Sonora. His work “Trio” was published at the UCLA Library Contemporary Music Collection. His teachers and tutors include Rodrigo Lima, Flo Menezes, Denise Garcia and Tiago Costa, and had lessons with composers such as Yuri Kasparov, Rogério Vasconcelos, Dmitri Kourliandski and Márcio Steuernagel.

Caio currently does research at the Centre de Documentation de la Musique Contemporaine (CDMC) at Unicamp, with the Fapesp grant, doing a critical edition of the work “Jogos no Parque Infantil Dom Pedro II” by Brazilian composer Dinorá de Carvalho. During the pandemics, in 2020 and 2021, he developed an experimental

side project for electric formations: his albums Meândria and Decriptas, the latter having been funded by the Lei Aldir Blanc grant for the arts

4d:["$","div",null,{"className":"flex flex-col gap-4","children":[["$","div",null,{"className":"flex flex-col gap-2 rounded-lg border border-border p-6 text-card-foreground","dangerouslySetInnerHTML":{"__html":"$4f"}}],["$","div",null,{"className":"flex gap-2","children":[[],false]}]]}] 4e:["$","$L50",null,{"surface":"composer_profile"}]