
In this work, I explore the concept of psychological time — the psychological past, present, and future — and how these dimensions can coexist within music. I combine this idea with elements from the beginning of 'pastorale' from L.V.Beethoven) giving them a new context and allowing them to exist alongside my own music in the present. I took a few bars from the original piece and then introduced what I call “obstacles” — musical interruptions that transform the material and open new pathways. From that point onward, the composition develops freely, and each time, the outcome is different. The form remains open, often mirroring the unfolding of a human life.