
Commissioned by Jordan Walsh, this work for bass drum
and electronics explores the complexities of identity. While
Jordan and I share a Hispanic background, our lived experiences
differ: Jordan is connecting with his Mexican ancestry
now as an adult, whereas my connection is ever-present
as an immigrant. The narrative we weave is one of resonance
and nostalgia, articulated through the drum’s flexible
vocabulary of strikes, scratches, and rolls. We further expand
this dialogue through the computer, a “metacultural”
device offering a vast landscape of sonic possibilities. The
piece is also informed by the batá drumming of SanterĂa;
in this Afro-Caribbean tradition, drummers use their instruments
to speak directly to the Orishas, who communicate
solely through the language of the drum. For this work, I
wrote a short poem in Spanglish addressing the duality between
“here” and “there,” and between reality and dreams.
At the end of the piece, the text blends with the bass drum
to give the instrument a voice and to elevate the meaning
of words.
Poem is found here:
I find myself here, indagando en las afirmaciones
I find myself there, roaming, tanteando entre soluciones
Soy esto que escribo, struggle and sensuality
Soy aquello que sueño, presence and absence
— JosĂ© MartĂnez