Three Ways of Getting There

When composing, I work with simple energetic patterns that give rise to a work’s harmonies, melodies, rhythms, and overall form. Each of the three interconnected movements has a prominent pattern (what I call a “basic direction”) that guides the flow of the music.

Movement I is vigorous and bright. The basic direction is UP. Although there are several moments of repose and descent, the music surges ahead and eventually reaches an expansive climax.

A transition of shimmering strings leads into movement II, which is warm and introspective. The basic direction is IN. The music moves in long, slow arches and sighs in deep breaths. A yearning oboe solo forms the core.

Movement III is rhythmic and grounded. The basic direction is AROUND. The breaths from movement II continue, revealing a slow-moving bassline that continually encircles the note E—the tonic pitch of the piece. While the surface level of this music is constantly in flux, the deep background rhythms are steady and unchanging.

—Jack Hughes

The commission of Three Ways of Getting There by Jack Hughes is generously funded by Mr. and Mrs. Paul Underwood.

American Composers Orchestra

Vimbayi Kaziboni, Conductor

Mary Flagler Cary Hall, The DiMenna Center for Classical Music November 10, 2023