
Bacheh Golam (بچه گلم) literally translates to “my flower child” in Afghan Farsi (Persian) and is the term of endearment my grandmother Dr. Fawzia Ali (the cover artist) calls all her nine grandchildren. The piece traces its roots to the music of Afghanistan, drawing from the infectious rhythms of the tabla and the melodies of the rubab, the national instrument of Afghanistan. This composition evokes the spirit of the rubab by retuning the violins and oud to resemble the rubab’s unique assortment of three types of strings (melodic, sympathetic, and drone). Bacheh Golam pays homage to the soundworld of Afghanistan and the hope and optimism for a brighter future for the Afghan diaspora.
Bridge to Everywhere
Rachel Iba - Violin
Yvette Holzwarth - Violin
Dimitris Mahlis - Oud
James Waterman - Tabla
Xaman Kryger - Executive Director
Derrick Skye - Artistic Director
Dr. Kim Nguyen Tran - Associate Director, Resident Ethnomusicologist
Steve Kaplan - Recordist, Producer
Kian Ravaei - Producer
Dr. Fawzia Ali - Cover Art