Concerto Grosso for large ensemble (2026) was written for the Black House New Music Collective. The piece utilizes an antiphonal structure with the ensemble arranged in two groups of equal size. It explores delegation of solos without designated soloists, where the conductor assigns marked solos to various instrumentalists in the ensemble to highlight as many players as possible. The work features varying registers and timbres, with specific sections designed for sustained instruments (Largo) and others requiring choice of pitches within a large provided range to create variation in repeated sections.