This piece is written for a very particular instrument, a harpsichord with split keys in meantone temperament. This means that for instance, e flat and d sharp sound differently, as well as a flat and g sharp. This was used as a starting point, leading to a rotation around certain harmonies and instrumental "behaviours" that become the microcosmic architectural structure, which inspired the title.
Recording Notes
Recorded live by Wei Lee on the 29th of May in Hamburg