- Program Notes
- Commissioned by the Lake George Music Festival, the initial impetus for …enfumée was Georgia O’Keeffe’s Blue II, an early work from a series of abstract and monochromatic explorations in 1916. When setting out to write this piece I initially chose to engage with O’Keeffe’s work because of her close connection with Lake George. While browsing a featured exhibit of her work at MoMA, I was immediately struck by the deep saturation and subtle shading of the color in this particular painting, the powerful movement portrayed in the crumpled yet expansive swirl of blue – like someone making a fist of smoke. This image resonated particularly strongly at the time, as we were in the midst of New York’s first encounter with the hazardous smoke from the Canadian wildfires which was engulfing the city and surrounding regions of the country. In that moment I decided not to write a work that was necessarily in direct response to O’Keeffe’s painting, but rather to allow my connection and inspiration in that moment to refocus the piece as an outlet for my experience with that recent and present change in our environment. I began to see vivid imagery of the swirls of smoke, the flow of the air patterns, the gradually shifting colors of haze. I was mesmerized by air flow maps I found on various air quality tracking apps, the constantly shifting color patterns, all the while living through my own waves of paralyzing anxiety, an almost PTSD-like response to being told to be afraid of the air we breathe, yet again. It was ironic that after such a long period of time with Covid, growing accustomed to masking indoors but finding relief and safety in the free-flowing air outside, we were now being told to stay locked indoors and mask up if we ventured out.
I composed …enfumée while in residence at Copland House, an idyllic retreat in Cortlandt, NY. Aaron Copland’s house is situated in a wonderfully isolated natural setting, a perfect space to engage with this subject matter, to escape from the city and breathe the fresh air. In the middle of my residency another wave of smoke set in, creating an opportunity for me to re-engage directly with the experience in the middle of the composition itself. I remember the first afternoon of the smoke’s return, driving on a bridge across the Croton Reservoir and almost stopping my car in the middle of the road as a I was struck by the imagery looking out into the hills beyond the water: it looked exactly like O’Keeffe’s paintings of Lake George, the haze from the smoke recreating her shading, her brushstrokes. The title …enfumée is also a reference to the work …à la Fumée, an homage to the composer Kaija Saariaho who passed away in June 2023 and whose music I have held in my mind and heart as I worked on this piece.
- Performer Credits
- Barbora Kolářová, violin; Jordan Bak, viola; Mia Barcia-Colombo, cello; Charles Paul, bass
