In the piece “Millimeters for soprano saxophone and electronics,” various and continuous dialogues are exposed between the saxophone and itself. In music, as in language, the letters connect to words that become a sentence, and they hold a certain content, seeking to present something, express it, or perhaps tell a story that remains suspended in thoughts and resonates like a distant memory. While searching for this text inside the saxophone’s ongoing dialogue, and at the same time getting lost in its infinite sonic possibilities, I found myself roving among the abstract sounds; a new and lush world opened up to me, an unstable language that over time formed ulterior dialogue between stability and fragility. Referring to this new body created while working with Jonathan, I sought to combine these two dimensions by creating the fusion and thus rebuild my language, an adventure that has kept me in suspense and especially anticipation to discover new dimensions of the saxophone and music.