In a lecture later titled “The Order of Discourse”, Foucault claims that “in every society the production of discourse is at once controlled, selected, organized and redistributed by a certain number of procedures whose role is to ward off its powers and dangers, to gain mastery over its chance events, to evade its ponderous, formidable materiality.”
There is discourse in this piece, like all pieces. The rhythm and pitch contours of the material are derived from various national “sacred texts”, but of course the words themselves are missing. Its content is not the content of the discourse but the discourse’s control, selection, etc.
Without the distraction of text, maybe discourse can be observed with greater clarity; all that remain are the raw musical affect of speech and the attempts of both the composer and audience to ward off, gain mastery and evade materiality.
Recording Notes
Recorded at Norfolk New Music Workshop 2023,
Ning Zhang - Clarinet
Yuki Mori - Trombone
Makana Medeiros - Percussion
Liam Wooding - Piano
Lauren Conroy - Violin
Thomas Hung - Cello
Alyssa Peterson - Double Bass
Lisa Moore - Conductor
