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A prolific and creative composer, Emma Berkowitz wields a sound that is both intimate and boundless. Colleagues and mentors have described her work as colorful, striking, and evocative. Her recent works include Odysseus on Aeaea (a song cycle for mezzo-soprano),The Resurrection of Anne Greene (an award winning chamber work), and An Mhaighdean Mhara (an orchestral piece inspired by the Irish myth of the selkie).

Emma grew up in midcoast Maine amidst sand, snow, and pine trees. She danced to accordion-playing buskers on the uneven cobblestone streets of Portland and listened to the natural music of crashing waves and barking seals. Emma sang in choirs from a young age, and she found her compositional voice in college. She continued her musical studies at Skidmore College where she earned a B.A with honors in both English and Music. In 2023, Emma completed her Masters of Music Composition at Carnegie Mellon University where she saw her first orchestral premiere! Emma has been inducted into both the Phi Beta Kappa and Pi Kappa Lambda honor societies.

Recently, she has found herself drawing inspiration from the likes of Charlotte Perkins Gilman, Emily Bronte, and H.D. Despite the assertion from some music philosophers that music in its purest form is devoid of language, Emma finds that language is at the root of all her music.

Emma strives to create music that is whimsical, driving, and beautiful. As a lover of fantastical tales, she attempts to create magic in every piece. Her lifelong love of folk music has inspired her own unique soundscape. Though her pieces range from buoyantly jubilant to eerie, she wants her music to feel like a celebration of life. What is life but a long, convoluted dance?

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