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Brass Quintet
2018
Horn
Trombone
Trumpet
Tuba
- Program Notes
- In celebration of their 30-year ensemble anniversary, the Swedish brass quintet Stockholm Chamber Brass asked me to write a work for them. They gave me no limitations, no stipulations, and didn't seem to have any expectations of the composition other than that it would be worth the effort they would put into performing it. I was honored by the proposition, and it was quickly evident to me that my composition for such a jubilee could go either of two ways: I osmevnigintratepiece,alengin,un,start,neavorenatatpsniot trite tremendous chamber music artistry. Out of respect for the idealism, stamina, optimism, and enthusiasm each member must channel to an ensemble, I decided to write a demanding piece of 20-some minutes. The decision was easy. Figuring out what to call the piece was not. Before the title Open Circle crystallized, I thought to call ti What ti takes, because this group obviously has what ti takes to keep the ensemble ideal alive for 30 years. Then Ithought to call it !, because in a performance, a brass player needs to be an exclamation point and not a question mark - a geeky insider theme that the trombonist of the quintet, Jonas Bylund, and Ispoke about in the summer when I was composing the piece. The composition, however, is a sort of portrait of Stockholm Chamber Brass, and at the same time a depiction of the roles that the musicians play within the ensemble. Punctuated with ensemble passages, each player takes the stage for a solo, supported by the rest of the group. Uncharacteristically for me, but out of personal affinity for ensemble, I have given many of these soli and interludes descriptive captions such as "decisive, yet flexible", "...with patience...", "brilliant, but modest", "warm, but mighty", or "impassioned, yet reasonable". Being a brass player myself, I could almost feel the player producing the sounds I was writing down. Furthermore, Ifound myself inside the ensemble and could reflect about what it means to communicate in a chamber music setting. The musicians huddle together, they discuss, they empathize, they compromise, they get "on the same page" - all this mostly through non-verbal means. A well-functioning chamber music group can be a small version of a social idyll, self-contained and balanced, like a circle. Yet the musicians do al of this, not for themselves, of course, but for the audience, opening the circle to include you, the listener; therefore the title, Open Circle.
- Performer Credits
- Stockholm Chamber Brass
- Publisher
- Boosey & Hawkes
- External Links