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Quartet
2021
Cello
Clarinet
Piano
Violin
- Program Notes
- I first met Mokha at an artist colony during the worst of the coronavirus pandemic. We both felt extraordinarily fortunate to have been given the opportunity to concentrate on creating art during such an exhausting time, and as such, we both spent the majority of our residencies working in our respective studios. It was only in the tail-end of Mokha’s stay that I finally got to see her work. I was instantly enthralled. Her paintings possessed a palpable immediacy through their surprising scale, vibrant contrasts, and endearing whimsy. They were frequently unpredictable - trying to follow any one particular shape, I would quickly lose my place in a sea of impossible geometries. Even so, when I stepped back to consider the whole, Mokha’s paintings nonetheless felt cohesive and organic. We spoke then and there about collaborating, eventually deciding that I would write a new work based on her Moroccan Capriccio. The resulting piece, Intuitive Geometry, seeks to capture the same kind of mercurial yet self-consistent discourse that defines Mokha’s resplendent art. Filled with whirling arpeggios, mixed meters, and restless modulations, the piece is one of constant motion. Should any listener try to follow any one particular instrument, they might quickly become lost - yet even as ideas ricochet between the members of the quartet, the piece remains united through its economy of material. Virtually every gesture is built out of an unevenly oscillating third, ensuring that the piece as a whole maintains its congruence. It was delicious fun translating Mokha’s kaleidoscopic architectures into music, and I am truly grateful for her friendship and artistic generosity.
- Performer Credits
- Music from Copland House
- External Links